"[The set design is simple:] an occasional set of chairs, maybe a table. Often there’s nothing. The largest scenic element is the white wall that fills most of the proscenium. Cut out of the walls are some doorways and arches that the cast enter through, but the real draw is the stark white surface whose every inch is frequently washed over by projections. This projection design, also by Pavey, is as jaw-dropping as it is striking... in addition to projected scenery and effects, we also witness snippets of film, shot in black and white, that feature some rather stunning lighting that add to the show's overall feel."
- Alexander Richardson, River Cities' Reader